Bibliography

"Sexual Perversities" Represented in Victorian Era Literature"

Primary Sources:

Gide, Andre. If It Die: An Autobiography.

Gide, Andre, and Richard Howard. The Immoralist. New York: Knopf, 1970.

Krafft-Ebing, Richard Von. “Perversity and Perversion.” New York: Stein & Day, 1965.

Mann, Thomas, and Naomi Ritter. Death in Venice: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Boston: Bedford Books, 1998.

Wilde, Oscar. The Picture of Dorian Gray. Charlottesville, Va.: University of Virginia Library, 1993.

Wilde, Oscar, and Donald L. Lawler. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: Norton, 1988.

Secondary Sources:

Adair, Gilbert. The Real Tadzio: Thomas Mann's Death in Venice and the Boy Who Inspired It. New York: Carroll & Graf, 2003.

Branson, Scott. "Gide, Wilde, and the Death of the Novel." MLN 127, no. 5 (2012): 1226-1248. https://muse.jhu.edu/

Cohen, Ed. Talk on the Wilde Side: Toward a Genealogy of a Discourse on Male Sexualities. New York: Routledge, 1993.

Hayman, Ronald. Thomas Mann: A Biography. New York: Scribner, 1995.

Herzog, Dagmar. Sexuality in Europe: A Twentieth-century History. Cambridge, UK: Cambridge University Press, 2011.

Levitan, David. Inadvertent Autobiography: Oscar Wilde's anxiety and The Picture of Dorian Gray, Haverford College Thesis 2003.

Lucey, Michael. Gide's Bent Sexuality, Politics, Writing. New York: Oxford University Press, 1995.

Sinfield, Alan. The Wilde Century: Effeminacy, Oscar Wilde, and the Queer Moment. New York: Columbia University Press, 1994.

Summers, Claude J. Gay Fictions: Wilde to Stonewall : Studies in a Male Homosexual Literary Tradition. New York: Continuum, 1990.

Tóibín, Colm. Love in a Dark Time. London: Picador, 2002.

Wilde, Oscar, and Donald L. Lawler. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: Norton, 1988.

Visual Art in the Interwar Period

Primary Sources:

Capon, G. "The Frenchwoman in War-Time." Advertisement. Section Cinématographique De L'Armée Française, 1917.

Claridge, Laura P., and Tamara De Lempicka. Tamara De Lempicka: A Life of Deco and Decadence. New York: C. Potter, 1999.

Darrè, Walther. “Marriage Laws and the Principles of Breeding”

De Lempicka, Tamara. Before the Storm. 1936. Private Collection.

De Lempicka, Tamara. Nude With Dove. 1928. Private Collection.

De Lempicka, Tamara. Portrait of the Duchess of La Salle. 1925. Private Collection.

Duchamp, Marcel. Fountain. 1917. San Francisco Museum of Modern Art.

Herouard, Cheri. "La Vie Parisienne, 1924." Advertisement. La Vie Parisienne, March 22, 1924.

Herrmann, Elsa. “This is the New Woman” Excerpt. http://faculty.washington.edu/cbehler/teaching/coursenotes/elsaH.html

Hoch, Hannah. Cut With the Kitchen Knife Through the Last Weimar Belly Cultural Epoch. 1919. ARTstor Slide Gallery, University of California, San Diego.

Hoch, Hannah. Marlene. 1930. ARTstor Slide Gallery. Private Collection.

Leunback, J., "Abortion and Sterilization in Denmark."

Picasso, Pablo. Mother and Child. 1921. Art Institute of Chicago Building.

"The French Decree Establishing Medals for Mothers" in Susan G. Bell and Karen M. Offen eds. Women, the family and freedom: the debate in documents (1980), 308 – 314

Secondary Sources:

Cadogan, Jean K. "Dadaism, Surrealism, and the 'Treacjery' of Images." The Chronicle of Higher Education 36, no. 12 (Nov 22, 1989): 1. http://search.proquest.com/docview/214746162?accountid=9772.

Dagmar Herzog, Sexuality in Europe: A Twentieth-Century History. Cambridge UK; New York: CambridgeUniversity Press, 2011.

Daix, Pierre. "Return to Order." In Picasso: Life and Art, 161-71. New York, NY: Icon Editions, 1994.

Doan, Laura. “Woman's place is the home’: conservative sapphic modernity” in Jane Garrity and Laura Doan eds., Sapphic Modernities: Sexuality, Women and English Culture (2006)

Duncan, Carol. “Virility and Domination in Early Twentieth-Century Vanguard Painting,” in Feminism and Art history: Questioning the Litany. Norma Broude and Mary Garrard, eds. New York: Harper and Row, 1982.

Foster, Hal. "Hannah Höch." Artforum International. 53, no. 4 (12, 2014): 252-255,10.http://search.proquest.com/docview/1638683385?accountid=9772.

Grayzel, Susan R. "Women at Home." The British Library. Accessed April 25, 2015.http://www.bl.uk/world-war-one/articles/women-at-home.

Hatt, Michael and Charlotte Klonk. Art History: A Critical Introduction to its Methods. Manchester: Manchester University Press, 1988.

Lavin, Maud. “The New Woman in Hannah Hoch’s Photomontages: Issues if Androgyny, Bisexuality, and Oscillation,” in Reclaiming Female Agency: Feminist Art History after Postmodernism. Norma Broude and Mary Garrard, eds. New York: Harper and Row, 1982.

"Tamara De Lempicka." Tamara De Lempicka. Accessed March 25, 2015.http://www.delempicka.org/bottom/home.html.

West, Patrick. "Faking it Big in the 21st Century." New Statesman 14, no. 640 (Jan 22, 2001): 16-17. http://search.proquest.com/docview/224368553?accountid=9772.

Jewish Tombstones Before and After World War II

Primary Sources:

Personal Photographs taken by Author

EF. "The Jewish Cemetery in Lubaczow, Poland." The Jewish Cemetery in Lubaczow, Poland. June 15, 2013. Accessed April 30, 2015. http://lubaczowcemetery.blogspot.com/2013_06_09_archive.html.

Goku122. New Jewish Cemetery in Przemyśl, Poland. November 7, 2008. Wikimedia Commons. Accessed April 25, 2015. http://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Nowy_Cmentarz_Zydowski_-_Przemysl12.jpg/800px-Nowy_Cmentarz_Zydowski_-_Przemysl12.jpg.

January 23, 2013. Jewish Galicia & Bukovina, Kolomiya. Accessed April 15, 2015. http://jgaliciabukovina.net/sites/default/files/7a_0.jpg.

Nijaki, Nikodem. Jewish Cemetery in Ryki. May 1, 2012. Accessed April 14, 2015. http://commons.wikimedia.org/wiki/File:Jewish_cemetery_Ryki_IMGP3275.jpg.

Webber, Jonathan, and Chris Schwarz. Traces of Memory: The Ruins of Jewish Civilization in Polish Galicia. Oxford: Littman Library of Jewish Civilization, 2006.

Secondary Sources:

Barṭal, Yiśraʼel, and Antony Polonsky. Focusing on Galicia: Jews, Poles, and Ukrainians, 1772-1918. London: Littman Library of Jewish Civilization, 1999.

Bartov, Omer. Erased: Vanishing Traces of Jewish Galicia in Present-day Ukraine. Princeton: Princeton University Press, 2007.

Khaimovich, Boris. "On the Semantics of the Motif “three Hares Chasing Each Other in a Circle." On Jewish Monuments in Eastern Europe, East European Jewish Affairs 41, no. 3 (2011): 157-80. Accessed April 12, 2015. doi:10.1080/13501674.2011.632581.

Kraft, Dina. "In Saving Jewish Remnants in Galicia, an Effort to Enlist Ukrainians." Jewish Telegraphic Agency, Dec 21, 2010. http://search.proquest.com/docview/822738146?accountid=9772.

Krajewska, Monika, and Rafael F. Scharf. A Tribe of Stones: Jewish Cemeteries in Poland. Warsaw: Polish Scientific Publishers, 1993.

Lasker, Daniel J. "The Tombstones of the Cemetery of the Karaite Jews in Çufut‐Qal’eh (the Crimea) [in Hebrew]; The Karaites of Galicia. An Ethnoreligious Minority among the Ashkenazim, the Turks, and the Slavs, 1772–1945." East European Jewish Affairs 40, no. 2 (2010): 211-15. doi:10.1080/13501674.2010.494026.

Polonsky, Antony. Focusing on Jews in the Polish Borderlands. Oxford: Littman Library of Jewish Civilization, 2001.

"Reading Hebrew Tombstones." How to Read a Hebrew Tombstone. Accessed April 12, 2015. http://www.jewishgen.org/InfoFiles/tombstones.html.

Webber, Jonathan, and Chris Schwarz. Traces of Memory: The Ruins of Jewish Civilization in Polish Galicia. Oxford: Littman Library of Jewish Civilization, 2006.

Women, WWII and Thaw Cinema in the Soviet Union:

Primary Sources:

Alexievich, Svetlana. “‘I am loath to recall’: Russian women soldiers in World War II.” In Women's Studies Quarterly, Fall 1995, Vol.23 (3-4), p.78. JSTOR.

Ballad of a Soldier. Dir. Grigori Chukhrai. Perf. Vladimir Ivashov and Zhanna Prokhorenko. Mosfilm, 1959. DVD.

The Cranes Are Flying. Dir. Mikhail Kalatozov. Perf. Tatiana Samoilova and Aleksey Batalov. Mosfilm, 1957. DVD.

Ivan’s Childhood. Dir. Andrei Tarkovsky. Perf. Nikolay Burlyaev and Valentin Zubkov. Mosfilm, 1962. DVD.

Film Poster for Ballad of a Soldier. Mosfilm Studios, 1959.

Film Poster for The Cranes Are Flying. Mosfilm Studios, 1957.

Film Poster for Ivan’s Childhood. Mosfilm Studios, 1962.

Muscovites listen to a radio broadcast about the deceitful attack of Nazi Germany on the Soviet Union. Date unknown. http://www.privateletters.net/photos_homefront.html. Photograph.

Poster for the Soviet film “The Cranes Are Flying” (Плакат советского фильма "Летят журавли") 1957. Central Library of the Bulgarian Academy of Sciences. http://www.europeana.eu/portal/record/2023816/RussiansInBG_Museums_Image_114_jpg.html?start=1&query=%D0%BB%D0%B5%D1%82%D1%8F%D1%82+%D0%B6%D1%83%D1%80%D0%B0%D0%B2%D0%BB%D0%B8&startPage=1&qt=false&rows=24. Photograph.

Russian Girl-soldier. Second World War. 1939-1945. Carrie Chapman Catt Albums, part of the Carrie Chapman Catt Papers at Bryn Mawr College Library Special Collections. http://triptych.brynmawr.edu/cdm/ref/collection/suffragists/id/252. Photograph.

Timofeevna-Egorova, Anna Alexandrovna. Red Sky, Black Death: A Soviet Woman Pilot's Memoir of the Eastern Front. Slavica Publishers, 2009. Online.

Three Russian women from the kitchen staff in the military camp in Belarus. 1941. Österreichische Nationalbibliothek. http://www.europeana.eu/portal/record/92060/6C72F3D194B18976C008E2553A0E817D94D30B14.html?start=2&query=russian+women&startPage=1&qf=YEAR%3A1941&qt=false&rows=24. Photograph.

Women during the Siege of Leningrad. Date unknown. РИА Новости (RIA Novosti). http://petersburgcity.com/articles/blokada/. Photograph.

Women in War and Resistance: Selected Biographies of Soviet Women Soldiers. Ed. Kazimiera Janina Kottam. New Military Publishing, 1998. Online.

Women workers at armaments factory, Moscow 1942. http://www.privateletters.net/photos_homefront.html. Photograph.

Secondary Sources:

Bazin, André. “The Stalin Myth in Soviet Cinema.” In Movies and Methods: An Anthology Volume II, 29-40. University of California Press, 1985. Print.

Bucher, Greta. “Struggling to Survive: Soviet Women in the Postwar Years.” In Journal of Women's History, Apr 2000, Vol.12 (1), pp.137-159. ProQuest.

Erikson, Erin. “Women in Combat.” In Humanities, Mar/Apr 1998, Vol.19 (2), pp.36-37. ProQuest.

Jones, Polly. Myth, Memory, Trauma: Rethinking the Stalinist Past in the Soviet Union, 1953-70, 173-211. Yale University Press, 2013. JSTOR.

Kirschenbaum, Lisa A. “‘Our City, Our Hearths, Our Families’: Local Loyalties and Private Life in Soviet World War II Propaganda.” In Slavic Review Vol. 59, No. 4 (Winter, 2000), pp. 825-847. JSTOR.

Kolchevska, Natasha. “Angels in the Home and at Work: Russian Women in the Khrushchev Years.” In Women's Studies Quarterly Vol. 33, No. 3/4, Gender and Culture in the 1950s (Fall - Winter, 2005), pp. 114-137. JSTOR.

Prokhorov, Alexander. “Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying.” In Imitations of Life: Two Centuries of Melodrama in Russia, 208-31. Durham & London: Duke University Press, 2002. Print.

Simmons, Cynthia. Writing the siege of Leningrad: women’s diaries, memoirs, and documentary prose. Pittsburgh, University of Pittsburgh Press, 2002. Print.

Taylor, Richard. Film Propaganda: Soviet Russia and Nazi Germany. Second, revised edition. London: I.B. Taurus Publishers, 1998. Print.